Film Appreciation Chapter Nine (SOUND)
1. A significant portion of the dialogue and all of the sound and music effects are created during post production. (True)
2. “Film music” may not emanate from sources within the story. (False)
3. Movie speech can take many forms other than dialogue. (True)
4. Prior to the 1970s, the vast majority of producers and directors thought about sound only after the picture was shot. (True)
5. For most narrative films, sound provides clues that help us do what? (form expectations)
6. In film terms, “sound track” can mean either a single element on a recorded track or the entire compilation of music released for consumers. (True)
7. A screaming person’s voice (but not picture) that is replaced with a train whistle at the exact moment and precise length of the “scream” is an excellent example of faithful sound. (False)
8. By source, we mean the actual location from which a sound originates, not the implied location. (False)
9. What type of sound is the only one typically recorded during production? (dialogue)
10. Sound design is integral only to the preproduction and postproduction phases of production. (False)
11. Silence can be a sound. (True)
12. In motion picture production, today’s sound is _________ to the image. (not subordinate)
13. A movie’s nondiegetic musical score cannot be heard by the characters onscreen and therefore is not part of the sound mise-en-scène. (False)
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